<div style="font-size: 12pt; direction: ltr; font-family: Aptos, Arial, Helvetica, sans-serif;"><span style="font-size: 12pt;">The New Queer Wave of cinema in the 90s gave birth to a collection of films where queerness and its tropes were explored from a queer perspective. Directors such as <b>Gregg Araki, Todd Haynes</b> and <b>Gus van Sant</b> prevailed as the era's poster boys but the <b>Wachowskis </b>gave us the lasting lesbian chic classic, <i>Bound</i>, which was their remarkable directorial debut in 1996.</span><br></div><div style="font-size: 12pt; direction: ltr; font-family: Aptos, Arial, Helvetica, sans-serif;"><span style="font-size: 12pt;"><br></span></div><div style="font-size: 12pt; font-family: Aptos, Arial, Helvetica, sans-serif;">In this stylish, gripping and very sexy neo-noir, ex-con Corky (<b>Gina Gershon</b>) teams up with her gangster’s moll lover Violet (<b>Jennifer Tilly</b>) to rob millions of dollars in stolen cash, pinning the blame on Violet’s boyfriend. An iconic queer film, and one of the all-time best depictions of the butch/femme dynamic on screen, Bound is proof that the directors’ flair for sleek visuals and efficient storytelling was there from the start.</div><div style="font-size: 12pt; font-family: Aptos, Arial, Helvetica, sans-serif;"><br></div><div style="font-size: 12pt; font-family: Aptos, Arial, Helvetica, sans-serif;">Bound screens as part of the <a href="https://www.glasgowfilm.org/queer-cinema-sundays/">Queer Cinema Sundays</a> programme “Be Gay, Do Crime”.</div>DramaPT1H45M182026-11-29