Looking for Mr. Goodbar - 35mm

<div class="_chunkWrapper_yu34g_39"><p class="font-claude-response-body break-words whitespace-normal" dir="ltr"><span class="_animating_yu34g_10" data-newtext-seq="0">By</span><span class="_animating_yu34g_10" data-newtext-seq="2"> day Theresa Dunn teaches deaf children </span><span class="_animating_yu34g_10" data-newtext-seq="42">in New York, work she is patient </span><span class="_animating_yu34g_10" data-newtext-seq="75">and gifted at. By night she moves </span><span class="_animating_yu34g_10" data-newtext-seq="109">through the city's singles bars, going </span><span class="_animating_yu34g_10" data-newtext-seq="148">home with men she doesn't intend to see </span><span class="_animating_yu34g_10" data-newtext-seq="188">again </span><span class="_animating_yu34g_10" data-newtext-seq="194">— an existence she keeps sealed off </span><span class="_animating_yu34g_10" data-newtext-seq="230">from her Catholic family, her sister, </span><span class="_animating_yu34g_10" data-newtext-seq="268">the earnest social worker who wants to </span><span class="_animating_yu34g_10" data-newtext-seq="307">marry her. Adapted from </span><span class="_animating_yu34g_10" data-newtext-seq="331">Judith Rossner's bestselling novel, </span><span class="_animating_yu34g_10" data-newtext-seq="367">itself drawn from a real 1973 murder, </span><span class="_animating_yu34g_10" data-newtext-seq="405">the film </span><span class="_animating_yu34g_10" data-newtext-seq="414">builds toward a conclusion its audience </span><span class="_animating_yu34g_10" data-newtext-seq="454">already knows is coming.</span></p></div><div class="_chunkWrapper_yu34g_39"><p class="font-claude-response-body break-words whitespace-normal" dir="ltr"><strong>Richard Brooks</strong><span class="_animating_yu34g_10" data-newtext-seq="2"> made this at the far </span><span class="_animating_yu34g_10" data-newtext-seq="40">edge of the </span><span class="_animating_yu34g_10" data-newtext-seq="52">studio era, and it remains a genuinely </span><span class="_animating_yu34g_10" data-newtext-seq="91">contested film — read at the time as a </span><span class="_animating_yu34g_10" data-newtext-seq="130">cautionary tale about women's sexual </span><span class="_animating_yu34g_10" data-newtext-seq="167">freedom, defended since as something </span><span class="_animating_yu34g_10" data-newtext-seq="204">more sympathetic to Theresa than its </span><span class="_animating_yu34g_10" data-newtext-seq="241">ending suggests. </span><strong>Diane Keaton</strong><span class="_animating_yu34g_10" data-newtext-seq="241"> is </span><span class="_animating_yu34g_10" data-newtext-seq="278">the </span><span class="_animating_yu34g_10" data-newtext-seq="282">reason it survives: a performance of </span><span class="_animating_yu34g_10" data-newtext-seq="319">real appetite and wit, released the </span><span class="_animating_yu34g_10" data-newtext-seq="355">same year as </span><em>Annie Hall</em><span class="_animating_yu34g_10" data-newtext-seq="355"> and </span><span class="_animating_yu34g_10" data-newtext-seq="385">pitched about as far from it as </span><span class="_animating_yu34g_10" data-newtext-seq="417">possible. With </span><strong>Richard Gere</strong><span class="_animating_yu34g_10" data-newtext-seq="417"> and </span><strong>Tureen Atkins</strong><span class="_animating_yu34g_10" data-newtext-seq="455">.</span></p><p class="WordSection1" style="text-decoration-thickness: auto; text-decoration-style: solid; margin: 0cm 0cm 0.0001pt;"><font face="Arial, sans-serif"><span style="font-size: 16px; caret-color: rgb(33, 33, 33);"><b>Content warning: </b>This film contains the use of strong racist language that audience members may find offensive or distressing.&nbsp;</span></font></p><p class="WordSection1" style="text-decoration-thickness: auto; text-decoration-style: solid; margin: 0cm 0cm 0.0001pt;"><font face="Arial, sans-serif"><span style="font-size: 16px; caret-color: rgb(33, 33, 33);">Please note this film contains strobe lighting effects, which may affect audience members who are photosensitive or have photosensitive epilepsy.</span></font></p></div>DramaPT2H16M182026-09-07
Diane Keaton
Tuesday Weld
William Atherton
Richard Brooks
Looking for Mr. Goodbar - 35mm"Looking for Mr. Goodbar - 35mm"

Showtimes

September 7, 7:45 pm

Glasgow Film | Website